This piece started as a blind drawing—eyes on the bike, not the paper while drawing. No peeking. After that, I went back in, correcting and layering with collage, then bringing it to life with watercolor.

I like that mix of control and chaos. The unexpected marks, the awkward lines—they open things up. It’s about seeing what shows up, and then working with it until it works.
Drawn, collaged, and painted on Stonehenge White.