This one’s all about process—about letting the print take a turn you didn’t plan for and leaning into it. After laying down the first two color layers, I used a stiff card to wipe away a section of the ink just before it dried. The result? A soft drag mark that breaks the surface, like skid marks on pavement or a gust of wind caught in motion.

Only one exists.

23x17", on Richeson printmaking paper