It begins with a ride—the kind that moves fast enough to blur the city into shapes, but slow enough to notice the rhythm of your own breath. A frame, a curve, a gesture. The black lines pull across the paper like chain links in motion, decisive and raw. The red? It’s a flash, a whisper of speed, the memory of a spinning wheel burned onto the pavement.

This is a poster sized two-screen print, hand-pulled on Stonehenge Cream, a paper chosen for its soft texture and weight—the kind of surface that absorbs every gesture like a well-worn road. Sized at 23x17 inches, it tucks elegantly into an 18x24" frame, leaving just the right amount of breathing room, like a good track stand.

Numbered and signed. Ships rolled, because some things are worth unfolding slowly.