A deep blue reverse silhouette of Eddie’s bike floats over a red ground, with most prints showing a pink undertone peeking through—an electric combination I first explored in smaller prints and knew had to go bigger. The colors sit flat and bold, a nod to Ellsworth Kelly, but the process embraces the organic shifts of hand-pulled printing.

While working, I kept thinking about the Louise Nevelson Chapel—the rough edges of cut wood, the presence of the hand in every surface. And about Matisse’s collages, where glue smears and thumbtack holes make the work feel more alive. That’s what I wanted here: a print that breathes, where the blue drifts, the layers misalign, and the imperfections become part of the rhythm.

Each print is unique, slightly different from the next. Printed on heavy Richeson printmaking paper, sized 23x17" to fit neatly into an 18x24" frame. Ships rolled in a tube, protected in a cello sleeve.