I’m excited about this print. I am making a larger print similar to something ive been doing small for awhile. This one uses a silhouette of Eddie’s bike from which I printed 2wo editions and a couple one-offs. Each one its own moment, layered and alive.
While printing, I thought about the Louise Nevelson Chapel—the textured edges of cut wood, the presence of the hand in every surface. I thought about Matisse’s collages, where glue smears and thumbtack holes turn imperfection into something sacred. I carried that with me in the studio, relishing the places where the blue top screen drifts, misaligns, breathes. This print is about letting that happen—about celebrating the relief that comes from letting the work be what it wants to be.